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The 1950s was an incredible decade in cinema history. For the U.S. film industry, it arguably represented the Golden Age of Hollywood at its peak, given that by the end of the 1960s, cinema was becoming a little more unpredictable and radical. As such, plenty of amazing, genuinely classic Hollywood films were released in the 1950s. Elsewhere in the world, it proved to be a decade where films in languages other than English found international success, most notably those from places like Japan, France, and Sweden.
It’s impossible to rank every single great movie that was released during this decade, but it is possible to give a rundown of some of the very best. That’s what the following ranking intends to do: highlighting the various must-see movies of the 50s that by and large still hold up, with these classic titles ranked below, starting with the great and ending with the absolute greatest.
And for even more recommendations, check out our lists of thebest movies of the 1970s,best movies of the 1980s, andbest movies of the 1990s.
Updated July 02, 2025, by Jeremy Urquhart:
1950s movies make up some of the best movies of all time, and though the decade is now long in the past, the movies released during it endure. It’s hard to collectively pay tribute to all the best movies of the ’50s, but what follows are some of the greatest among the greats. Anyone wanting to see the best of what the decade had to offer should make checking out the following classics a priority.
30’Rashomon' (1950)
Akira Kurosawareleased several classics throughout the 1950s, with his decade getting off to a great start thanks toRashomonin 1950. It’s a movie about crime, justice, and the unreliability of human memory, following the aftermath of a brutal crime where various witnesses - and people involved - all have different recollections of what went down.
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It’s a story that benefits from being told in a visual medium, given it’s easy to see one subjective view after another, with Kurosawa expertly shifting things in interesting ways to demonstrate the film’s central message. By design,Rashomonoffers little by way of easy answers, but is tremendously well-made, compellingly acted, and consistently interesting to watch.
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29’Rear Window' (1954)
Quite remarkably,Alfred Hitchcockdirected two classics that both got released in 1954. The lesser of the two wasDial M for Murder, which is still a great mystery/thriller movie in its own right. That one starredGrace Kelly, and she also appeared in Hitchcock’s other 1954 classic:Rear Window.
It’s an expertly made slow-burn thriller, centering onJames Stewart’s character, and the spiral of paranoia he falls into when he starts believing one of his neighbors may have committed a murder. Thanks to the character recovering from a leg injury, Stewart’s confined to an apartment for almost the entire movie, with Hitchcock memorably using the confined setting to film things creatively while upping the tension, thanks to the claustrophobic nature of it all.
28’The Searchers' (1956)
John Wayne’s an actor who’ll always be tied to the Western genre, and the same can be said of directorJohn Ford, with these two Johns making many classic American movies together. Of their numerous films,The Searchersinevitably stands as one of the best titles in either man’s body of work; perhaps eventhe best that Wayne acted inor Ford directed.
It might sound like a simple Western on the surface, revolving around one determined man trying to locate and rescue his niece, but it goes to some surprisingly dark places and explores more complex themes than one might anticipate. It’s also one of the best-looking movies of the decade, with the Old West rarely captured in as visually bold and dynamic fashion as it was here.
27’Roman Holiday' (1953)
As a charmingly bittersweet romantic comedy,Roman Holidaymight well be the gold standard. It stands as a movie that’s rarely equaled in this department, perfectly telling a straightforward story about an American journalist and a European princess falling in love while in Rome, and the brief yet endearing romance that blossoms between the two.
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It’s far from the only iconic film that eitherAudrey HepburnorGregory Peckappeared in, but both give performances here that would undeniably rank among their respective best roles. It balances heart, comedy, and believable romance very well, and is likely to prove entertaining even to those who might not usually be particularly fond of the romance genre.
26’Witness for the Prosecution' (1957)
Witness for the Prosecutionisn’t just one of the best courtroom dramas of the 1950s; it ranks among the greatest of all time. It centers on a high-profile murder case, with the accused getting the assistance of an aging lawyer who becomes passionate about the case, due to how publicized and sensationalized it gets.
Like Kurosawa and Hitchcock,Billy Wilderwas a filmmaker who had a great decade throughout the 1950s, so much so thatWitness for the Prosecutionoccasionally gets overlooked compared to his other accomplishments from around this time. Yet it shouldn’t be overlooked, as when it comes to great films set largely inside courtrooms, they don’t often get a whole lot better than this.
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25’The Human Condition I: No Greater Love' (1959)
ThoughThe Human Condition I: No Greater Loveruns for a lengthy 206 minutes, it’s ultimately just one part of an even longer trilogy. As a whole,The Human Conditionwas released in three parts between 1959 and 1961, with the total 9+ hour film standing today as one of thegreatest-ever movies set during World War II.
Starring Japanese acting legendTatsuya Nakadai, it’s about a young man who’s a conscientious objector, only to find himself thrust into fighting in World War II regardless of his personal beliefs. It’s all about the tension between what he’s told to do and what he feels is right, makingThe Human Conditiona heartbreaking, heavy, but undeniably engrossing epic that will move anyone who sits down and attempts to take it all in.
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24’Ben-Hur' (1959)
At one point in time,Ben-Hurwas about as big as movies could get, and it led to it being used in the saying “Bigger than Ben-Hur.” Now that time has passed, the question stands: IsBen-Hurstill the biggest of all the epics? Maybe not - debatably, a handful have equaled it in scope and/or runtime, but not many, in any event.
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It remains a classic epic film that still has the capacity to impress viewers both young and old, telling the story of a man sold into slavery, and what he did to get revenge on the rival responsible for his misery. It’s entirely worth watching for the famed chariot race sequence alone, which is still one of the most exciting and impressive action scenes of all time.
23’Elevator to the Gallows' (1958)
Louis Mallewas a French directorwho never quite achieved the same level of fame as his contemporaries likeFrançois TruffautandJean-Luc Godard, but he honestly deserves to be considered equally legendary. His filmography is diverse, and he tackled numerous genres, but his debut feature film debatably remains his best.
That movie isElevator to the Gallows, which works as a tense and always engaging crime/thriller/film noir movie about a seemingly perfect criminal plan going to hell. It’s an effortlessly cool movie, thanks to its visual style and a famedMiles Davisscore, and has a certain timeless quality that makes it one of the best French films of all time.
22’Pather Panchali' (1955)
Like the aforementionedThe Human Condition,Pather Panchaliis the first part of a trio of films known asThe Apu Trilogy. All were directed by one of the most well-regarded Indian filmmakers in history,Satyajit Ray, and told the story of Apu, who begins the series as a young boy inPather Panchalibefore being shown at later stages of his life in subsequent films.
InPather Panchali, it’s perhaps Apu’s older family members who get more attention, with Apu becoming the central character in parts 2 and 3. The film depicts the harshness of life in a small Bengal village, and while it’s not an easy watch, it is an empathetic and moving film that tells an intimate and powerful story; one that’s further fleshed out further in the second and third films in the trilogy, titledAparajitoandThe World of Apu.
21’Paths of Glory' (1957)
ThoughPaths of Glorywasn’tStanley Kubrick’sfirst movie (nor was it even his first war film), there’s a strong case to be made that it was his first all-out masterpiece. It’s a downbeat and oftentimesgrueling movie set during World War I, and focusing on three men who are put on trial as scapegoats, after an entire group of soldiers fail to execute a particularly dangerous order during combat.
The filmmaking prowess displayed inPaths of Glorymakes it feel as though there’s a seasoned director behind the camera, but in reality, the film was made when Kubrick was only in his late 20s. It still packs an incredible punch all these years later, and is about as impactful as anti-war movies get.
